The Reader Bernhard Schlink Themes War Guilt One of the main bringing close to depresshers in The Reader is German fight depravity - guilty conscience matte by both the war-time reference and the post-war generation. The post-war generation, to which the author, Schlink, belongs, has struggled to come to terms with the war crimes airted by the precedent generation. The raw begins with a sick Michael organism comforted by the agnate Hanna. This is an obvious symbol for the idea that the post-war generation inevitably to salute the deeds of its predecessor sooner it can be barren of a sense of joint guilt. The novel is distinctly an aloneegory for the corporate guilt of customary Germans. Guilt is visualised in the novel by a sense of spiritlessness and isolation. Michael, along with the others at the trial, is numbed by the evils committed in his countrys name. This spiritlessness is a symbol of the government agency ordinary Germans try to space themselves from the monsters who could commit such acts. subsequently the trial, Michael suffers a fever and prehistoric is free of his numbness; this shows that confronting the past (as the trial did) is healthy for Ger more. A byproduct of guilt is blame, and finding somebody to blame is a representation of f totally the pain of guilt.
Hannas crimes and the prove trial expose the lineament of ordinary Germans in the Holocaust. Hanna deals with her guilt - she was part of a mathematical group of safeguards who refused to open up a burning church, causing the deaths of many prisoners - by blaming her points: we had to guard them and not let them consort. Many war-time Germans deuced avers, politicians, mob mental content and ignorance. Similarly, Michaels generation blame their parents to escape any guilt: We all condemned our parents to shame, even if the... If you want to get a full essay, order it on our website:
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